Es Devlin's 'A National Portrait': Uniting the UK Through Art and Selfies (2026)

In a world where division seems to reign, artist Es Devlin dares to ask: can a portrait truly unite a nation? Her latest installation, a collaborative effort with Google Arts & Culture Lab, aims to answer this question by creating a unique, evolving portrait of Britain.

The project, titled 'A National Portrait for the National Portrait Gallery', invites individuals from across the UK to contribute a selfie. These selfies are then transformed into Devlin's signature smoky charcoal-and-chalk style, forming a collective portrait that challenges the notion of a static, singular representation of a nation.

The Power of Visual Intimacy

What makes this installation particularly captivating is its intimate nature. As faces drift in and out of focus, merging and separating, it evokes a sense of connection and vulnerability. It's as if we're witnessing fleeting moments of human interaction, a reminder that behind every face is a unique story.

Coexistence in a Fragmented World

In Devlin's own words, the installation is a quiet rebellion against the atomization of British society. She believes that, despite our differences, we can coexist. It's a powerful message in a time when political fury and algorithmic distractions threaten to tear us apart.

Imperfection as Truth

One of the most intriguing aspects of the installation is its deliberate imperfection. Faces don't seamlessly blend; they snag and jar, reflecting the complexities of human relationships. Devlin sees this as a truthful representation of the boundaries that exist between us. By embracing these imperfections, we might just learn to accept each other.

The Artist's Shadow

The collaboration with Google Arts & Culture Lab raises intriguing questions about the role of artists in the age of AI. Devlin acknowledges that her artistic 'shadow' is being utilized by a technology company, but she sees it as an act of resistance and reclamation. She wants to dance with her shadow, to use technology to bring people together and challenge the systems that seek to divide us.

Analogue Resistance

In a world dominated by digital distractions, Devlin's approach is refreshingly analogue. She emphasizes the importance of attention and the simple act of looking at another human being. It's a call to resist the fragmentation and isolation of our times, to reimagine national identity as a dynamic, ever-changing process.

Opening Doors and Changing Perspectives

The installation is not just about the portrait itself; it's about accessibility and inclusivity. Devlin aims to make the National Portrait Gallery less intimidating and more welcoming. By taking the collective portrait and drawing workshops into town halls, libraries, and schools, she hopes to reach those who might not otherwise engage with art.

The impact of this initiative is profound. Ravinder Tagarh, a security guard at the gallery, shared how seeing his portrait among those of royalty and celebrities made him feel seen and part of the country, offering a moment of hope.

A Portrait's Power to Heal

What many people don't realize is the transformative power of art. Devlin's installation goes beyond aesthetics; it's a tool for healing and connection. By inviting people to contribute and be seen, it offers a sense of belonging and validation. It's a reminder that, despite our differences, we are all part of a collective portrait, a nation united by our shared humanity.

Conclusion

Es Devlin's 'A National Portrait for the National Portrait Gallery' is more than just an artistic endeavor; it's a bold statement about the power of art to bring people together. In a world that often feels divided, this installation offers a glimmer of hope, a reminder that we can coexist and that our differences are a source of strength, not division.

Es Devlin's 'A National Portrait': Uniting the UK Through Art and Selfies (2026)
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